Wednesday, December 10, 2008

Circles and Japanese Textiles


Note: I've been far too focused on my ED as of late and I apologize. Although it is very cathartic for me to get my feelings out, it is also very self-indulgent. So onto something else.

Now that I have introduced one of my major muses, Mary Blair, let me unveil another influence: Japanese textiles. My affinity for any fabric goes back many, many years. Fabric designer has even been a potential career path for me. Putting my basic love of fabric aside, what I find particularly fascinating about Japanese fabric is the use of circles in the designs, as well as the unconventional color combinations.


The depictions of nature in these textiles are not meant to be accurate. This freedom from accuracy allows the freedom of color.

This fabric captures my interest for a few reasons. I love the use of the green roses, which do not occur in nature in that shade. I also like the almost stained glass composition of the roses. They look a bit like they are carved. There is something almost medieval about them. Also, notice the amount of variation there is in it despite the very limited color palette.

The below picture also inspires me. This one incorporates pretty much perfectly round circles into nature in a way that doesn't look awkward. Again, the color palette is limited. I love the gold and the black together, and then the way the totally unrelated color of blue is used in the background.

The color theory in Japanese textiles is pretty simple. It doesn't have to be found in nature to be used in a re-creation of nature. Don't use too many colors, but keep contrast for texture and depth. Rules don't really apply, just use your imagination. I find that VERY inspiring. Don't you all get tired of the rules?

p.s. I know it's kind of hard to see, but I just adore the fact that some of the trees in this fabric are upside down!

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